| Out Stealing Horses: A Novel |  | Author: Per Petterson Creator: Anne Born Publisher: Picador Category: Book
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Media: Paperback Edition: 1st Pages: 256 Number Of Items: 1 Shipping Weight (lbs): 0.5 Dimensions (in): 8.5 x 5.3 x 0.7
ISBN: 0312427085 Dewey Decimal Number: 839.82374 EAN: 9780312427085 ASIN: 0312427085
Publication Date: April 29, 2008 Availability: Usually ships in 1-2 business days
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Product Description
NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW A TIME MAGAZINE BEST BOOK OF THE YEAR WINNER OF THE IMPAC DUBLIN LITERARY AWARD
Out Stealing Horses has been embraced across the world as a classic, a novel of universal relevance and power. Panoramic and gripping, it tells the story of Trond Sander, a sixty-seven-year-old man who has moved from the city to a remote, riverside cabin, only to have all the turbulence, grief, and overwhelming beauty of his youth come back to him one night while he's out on a walk. From the moment Trond sees a strange figure coming out of the dark behind his home, the reader is immersed in a decades-deep story of searching and loss, and in the precise, irresistible prose of a newly crowned master of fiction. Per Petterson, author of In the Wake, has written five novels, which have established his reputation as one of Norway's best fiction writers. Out Stealing Horses has won the Norwegian Bookseller's Prize, the Critics' Award for best novel, and The Independent Foreign Fiction Prize.
Anne Born, poet, critic, and historian, has translated many works from the principal Scandinavian languages into English, including two previous novels by Per Petterson. Winner of the International IMPAC Dublin Literary Award One of the New York Times 10 Best Books of the Year A Los Angeles Times Book Prize Finalist Trond's friend Jon often appeared at his doorstep with an adventure in mind for the two of them. But this morning was different. What began as a joy ride on "borrowed" horses ends with Jon falling into a strange trance of grief. Trond soon learns what befell Jon earlier that dayan incident that marks the beginning of a series of vital losses for both boys.
At age sixty-seven, Trond has settled into a rustic cabin in an isolated part of eastern Norway to live the rest of his life with a quiet deliberation. A meeting with his only neighbor, however, forces him to reflect on that fateful summer. "In this quiet but compelling novel, Trond Sander, a widower nearing seventy, moves to a bare house in remote eastern Norway, seeking the life of quiet contemplation that he has always longed for . . . Trond's recollections center on a single afternoon, when he and Jon set out to take some horses from a nearby farm; what began as an exhilarating adventure ended abruptly and traumatically in an act of unexpected cruelty. Petterson’s spare and deliberate prose has astonishing force, and the narrative gains further power from the artful interplay of Trond's childhood and adult perspectives. Loss is conveyed with all the intensity of a boy’s perception, but acquires new resonance in the brooding consciousness of the older man."The New Yorker "In this quiet but compelling novel, Trond Sander, a widower nearing seventy, moves to a bare house in remote eastern Norway, seeking the life of quiet contemplation that he has always longed for. A chance encounter with a neighborthe brother, as it happens, of his childhood friend Joncauses him to ruminate on the summer of 1948, the last he spent with his adored father, who abandoned the family soon afterward. Trond's recollections center on a single afternoon, when he and Jon set out to take some horses from a nearby farm; what began as an exhilarating adventure ended abruptly and traumatically in an act of unexpected cruelty. Petterson’s spare and deliberate prose has astonishing force, and the narrative gains further power from the artful interplay of Trond's childhood and adult perspectives. Loss is conveyed with all the intensity of a boy’s perception, but acquires new resonance in the brooding consciousness of the older man."The New Yorker "Among the agreeable surprises of Per Petterson's novel is the misleading suggestion that the modesty of his narrator's voice foretells a tale of minor events, an account of the sort of photorealism that prevents anything from happening. In fact, the book contains some bold, convincingly stated coincidences well outside the range of our highbrow realists . . . The characters living and dead are equally palpable, another small wonder of Out Stealing Horses . . . This short yet spacious and powerful bookin such contrast to the well-larded garrulity of the bulbous American novel todayreminds us of the careful and apropos writing of J.M. Coetzee, W.G. Sebald and Uwe Timm. Petterson's kinship with Knut Hamsun, which he has himself acknowledged, is palpable in Hamsun's Pan, Victoria, and even the lighthearted Dreamers. But nothing should suggest that his superb novel is so embedded in its sources as to be less than a gripping account of such originality as to expand the reader's own experience of life."Thomas McGuane, The New York Times Book Review "By the time I had finished this novel I knew it for what it is: a triumph of narrative architecture and powerful imagery, and a subtle consideration of identity. It is the story of a life that was pursued one summer in a Nordic world of giant trees and fast-coursing rivers, bloody rivalries, feats of strength, desperate passion, a world where the father-son relationship is elemental and a little dangerous. But then that life, for reasons I shall leave you to discover, veers away toward the modern world, where tragedies are lit by ambulance lights. It has been some time since I have read a novel that pleased me so much in its artistic accomplishment."Katherine A. Powers, The Boston Globe "Petterson wrings great emotional depth from what seems a bare-bones talethe decision of a 67-year-old Norwegian man to pass his final years alone in the remote countryside. Escape, especially from his past, proves elusive in an enthralling tale with some distinct prose echoes of Cormac McCarthy."John Marshall, The Seattle Post-Intelligencer
"This is a novel that strikes deep and lingers long . . . like some shattering literary symphony."The Independent (U.K.)
"Out Stealing Horses is tinged with an autumnal sense of loss and the self-examination of an old man looking back on his life . . . This book is a minor masterpiece of death and delusion in a Nordic land."The Guardian (U.K.)
"The genius of this beautiful, candid work lies in its tone of gentle, if at times angry, reflection. There is no sentimentality, no easy nostalgia, only truths and an honest response to experience."The Irish Times "I was completely taken with Out Stealing Horses from the first page. I found it powerful yet so quietly done I could hear myself breathe and I finished with an exhalation of awe."Amy Tan "Haunting, minimalist prose and expert pacing give this quiet story from Norway native Petterson an undeniably authoritative presence."Kirkus Reviews "Award-winning Norwegian novelist Petterson renders the meditations of Trond Sander, a man nearing 70, dwelling in self-imposed exile at the eastern edge of Norway in a primitive cabin. Trond's peaceful existence is interrupted by a meeting with his only neighbor, who seems familiar. The meeting pries loose a memory from a summer day in 1948 when Trond's friend Jon suggests they go out and steal horses. That distant summer is transformative for Trond as he reflects on the fragility of life while discovering secrets about his father's wartime activities. The past also looms in the present: Trond realizes that his neighbor, Lars, is Jon's younger brother, who 'pulls aside the fifty years with a lightness that seems almost indecent.' Trond becomes immersed in his memory, recalling that summer that shaped the course of his life while, in the present, Trond and Lars prepare for the winter, allowing Petterson to dabble in parallels both bold and subtle. Petterson coaxes out of Trond's reticent, deliberate narration a story as vast as the Norwegian tundra."Publishers Weekly
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Showing reviews 1-5 of 118
A calm and quiet place February 19, 2009 Bryan Byrd (Earth) 80 out of 83 found this review helpful
There are bound to be people annoyed and disappointed by 'Out Stealing Horses', as it is not the traditional narrative they may be used to. Instead of building toward a climactic finish, or revealing a fateful detail that ties together several unrelated events, 'Out Stealing Horses' is a dreamy recitation of memories and the present day, as experienced by an aging widower in rural Norway. The 'payoff', if it can be called that, is not a gratification of the reader's curiousity, but an impressionistic portrait of the sum total of a life.
Alternating between the summer of 1948 and the present, Per Petterson writes of Trond Sanders, who is essentially trying to disappear from the world after three years of mourning for his wife. He has moved to the country, and obsesses over tiny details of his new existence. At the same time, he examines the events from 60 years earier, when he spent a season with his father, a former member of the underground during the Nazi occupation.
It's surprising how big this story is, considering the fragmentary approach Petterson uses. Big in the sense that every page seems loaded with meaning, as if even Trond's stumbling around his run-down cabin hides a secret parallel with an earlier part of his life, or else foreshadows things to come. This sort of storytelling almost promises a compelling denouement, though if that is what the reader is lookng for, he may feel cheated. Instead, Petterson hews closer to reality, shunning the contrived shortcuts fiction is capable of and portrays a complex man who has no more answers to his life's meaning than any of the rest of us.
I found Petterson's style very rustic and refreshing - like a drink of water from a clear stream, or a walk through an untended, leafy wood. Though this may not be entirely apt, he seemed to strip his narrative of any modernity, or at least seperate it from a materialistic point of view. There is nothing concrete in the story to support that feeling, it is more of a general sense I had from his crafting of the novel. Unfortunately, I also found it almost too tenuous in its connections, and some events at the beginning a little too coincidental. Petterson even addresses that, saying (as Trond) after one such event that if he'd read it in a book, he would have disliked it.
In one sense, 'Out Stealing Horses' could be considered a coming of age story - a genre I usually am not interested in - but in another, deeper sense, I believe Trond revisits this critical summer in his youth subconciously looking for connections to the life that followed from it. Not so much a 'coming of age' story then, but an examination of the past to determine personal meaning. If there are any clues, he knows that they lie in this remote part of his life, but as I mentioned before, Petterson arrives at the same answers we all do when embarking on such a errand. Because he does so with such a poetic pace and with calmly quiet observations though, it is a sublime task for us to follow along.
'Out Stealing Horses' is not liable to become a classic in and of itself - I do not think it has quite that much staying power - but as a meditation on the intertwining of past and present, it is powerful without plucking at the reader's emotions, or sliding into melancholy. Simple and intelligent, there is room for different interpretations, and at the same time, it is a relief from the frenetic page turners churned out by publishers today. Petterson has created a calm and quiet place, one perfectly suited for the tale he has to tell.
So subtle it breaks your heart March 13, 2009 Glenn S. Brauer (Lexington, KY) 37 out of 39 found this review helpful
I opened up this book with nary a familiarity with its author. I only knew that he was Norwegian and a prize winner in his native country.
I was immediately pulled in by the still beauty of the pace and the rich reflections of a man in his twilight years who has returned to live in the very place where his life was to have its initiation into manhood, starting with a summer when he was all of 12 years old.
I can understand why some readers may be shaking their heads. This is a story that deals with the slowness of deep inner emotions-- not unlike the movement of icebergs making their way in those frigid northern seas. We are given these pieces of Trond and there were times when I stopped reading and wondered why he was so intent telling us about that 12 year old self and that particular summer--until we enter that beautiful and chilling truth of what constituted the life Trond was to live from that time onward.
This is a beautiful read--and it's so strangely told that I almost did not get it. All I can say is, it is stunning when the light bulb alights in the dark corners of this old man's soul. (And you will get that moment. So keep reading!)
I so recommend this read because it's so seldom that I come across something that deals with emotions between fathers and sons, it's practically a taboo subject.
2007 Dublin Impac Award Winner July 15, 2007 T. E. Leonard (Berea, Kentucky) 64 out of 75 found this review helpful
In winning this year's Dublin IMPAC Award, Mr. Petterson's subtle novel beat out the works of such literary heavyweights as J.M. Coetzee, Cormac McCarthy, and Salman Rushdie. However, if you are looking for a straight forward chronological narrative, with a neat little story line, you may immediately strike this novel from your must read list.
Like two of his previous works, "In the Wake" and "To Siberia," Petterson's plots are clarified through the reflections of his main characters. In "Out Stealing Horses" we are presented with the views of an elderly man as he looks back on the ambivalent feelings he holds toward his father arising from an epoch summer they spent together in the backwoods of late 1940's Norway
As a greying baby boomer I think that one of the most redeeming features of the book lies in the way that it rejects the image of the insensitive male and allows us as a gender to unabashedly express our feelings of LOVE toward our fathers and sons.
Extraordinary! September 14, 2008 Daffy Du (Del Mar, CA United States) 11 out of 11 found this review helpful
I read this for a book club, intrigued by the reviews but not especially captivated by the synopsis. To my amazement, I was hooked within the first chapter or two and simultaneously didn't want to put it down and didn't want it to end. I literally slowed down my reading in order to savor the last couple of chapters. The premise may not sound especially compelling on the surface, but the narrative quickly develops into an expertly woven tale of family, adolescence, crisis, jealousy and betrayal, which unfolds over three time periods--WWII, 1948 and the present day. This is a book of subtle beauty, where passing references later are illuminated as the full story is revealed. The writing, even in translation, is exquisite--insightful and poetic and yet never overwrought. If you like a fast read with lots of adventure packed into each chapter, this is not the book for you. But if you like engrossing, readable literary fiction of some depth, that shines a light on a time and a culture you may not know, then give it a try.
So nearly perfect you wish there were more July 22, 2008 Timothy J. Bazzett (Reed City, MI USA) 8 out of 8 found this review helpful
How to describe Per Petterson's story of Trond Sander? The book has been likened to Hemingway's Nick Adams stories, but women often have trouble identifying with the Nick Adams character and Hemingway's terse style. The authentic period details and finely honed characters also bring to mind another favorite author, Molly Gloss. But there is a kind of sensibility here that will appeal to men and women alike, as Petterson lets you inside the head and heart of a fifteen year-old boy who has just lived through a wartime occupation without the support of his father. Then his father returned and a strong bond was formed, and then broken again. It is a story - told almost simultaneously - of growing up, and growing old. There are secrets here, some revealed and some not. Out Stealing Horses is proof positive that everyone has thoughts that are never spoken, feelings that cannot be articulated - that every human life is so complex it can never be truly and completely understood. I wanted more of the stories of Trond, his father, Jon and Lars. All of these lives that were so tightly interwoven, stretched tight and broken, some repaired, some not. But that's a good thing. If you want more, then the characters have been effectively brought to life. These people will live in their readers' imaginations for a long time. I have to assume that translator Anne Born did an excellent job, because I don't believe anything has been "lost in translation."I hope we will see some more translations of Petterson's work. - Tim Bazzett, author of SoldierBoy (RatholeBooks.com)
Showing reviews 1-5 of 118
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