| The Border Trilogy: All the Pretty Horses, the Crossing, Cities of the Plain (Everyman's Library) |  | Author: Cormac McCarthy Publisher: Everyman's Library Category: Book
List Price: $36.00 Buy New: $21.85 as of 9/5/2010 20:35 CDT details You Save: $14.15 (39%)
New (23) Used (23) from $18.94
Seller: pbshop Rating: 52 reviews Sales Rank: 8,869
Media: Hardcover Edition: First Edition Pages: 1040 Number Of Items: 1 Shipping Weight (lbs): 2 Dimensions (in): 8.3 x 5.3 x 1.8
ISBN: 0375407936 Dewey Decimal Number: 813.54 EAN: 9780375407932 ASIN: 0375407936
Publication Date: September 28, 1999 Availability: Usually ships in 1-2 business days
| |
| Also Available In:
|
| Similar Items:
| |
| Editorial Reviews:
Product Description Available together in one volume for the first time, the three novels of Cormac McCarthy's award-winning and bestselling Border Trilogy constitute a genuine American epic.
Beginning with All the Pretty Horses and continuing through The Crossing and Cities of the Plain, McCarthy chronicles the lives of two young men coming of age in the Southwest and Mexico, poised on the edge of a world about to change forever. Hauntingly beautiful, filled with sorrow and humor, The Border Trilogy is a masterful elegy for the American frontier.
|
| Customer Reviews:
Showing reviews 1-5 of 52
A five-star book plus a five-star book plus a five-star book equals a fifteen-star book April 4, 2006 Mike Smith (Albuquerque, NM) 124 out of 129 found this review helpful
Here are three amazing books, and one amazing saga, all together in one brimming volume you can throw into a backpack.
The first novel, "All the Pretty Horses" is one of the most beautifully told stories I've ever read. Not only is the writing here packed with imagery, and the story one of McCarthy's most accessible, but the textures of the words used to describe the images are as lush and as enfolding as anything F. Scott Fitzgerald ever wrote--even when McCarthy's describing the driest of desert plains, the most desolate of ruins, or the emptiest of lives.
The book tells the story of two young friends who leave home in 1948 Texas to ride south into northern Mexico in search of SOMETHING. What happens along the way is tragic and amusing, lovely and gripping, real and amazing. McCarthy seems to paint every scene perfectly, yet he does so using the fewest amount of words possible, and the simplest of details.
"The gray and malignant dawn." "Stars falling down the long black slope of the firmament." "The shelving clouds." "Their windtattered fire." "Narrow spires of smoke standing vertically into the windless dawn so still the village seemed to hang by threads from the darkness."
Long sentences shroud the reader in the events of every scene, and the author's trademark quote-sign-less dialogue gives every conversation a very biblical feel.
The trilogy's second book, "The Crossing" has only thematic and geographical elements in common with the first. The story deals with a completely different character, Billy Parham, a son in a late-1930s New Mexican ranching family. Billy traps a wolf that has been killing his father's cattle but realizes he morally can't kill it and has to return it to its home in the mountains of old Mexico. Billy crosses the border into Mexico, and as he does he crosses from real life into a world of dreams, where everyone moves as if the air was liquid, where every ruin has an irretrievable story, where soot and heat and danger hang in the air, and where nothing ever goes as planned.
The story is not as streamlined or as focused as its thematic predecessor, "All the Pretty Horses," but that's not necessarily a shortcoming. The book sprawls out like a wide hot desert--curling north and south, east and west, across the present and into the past. The writing is as good as any writing I've ever read ever, and certain metaphors and feelings will stay with you for years. For example: the coals of a campfire seeming like an exposed piece of the core of the earth.
The trilogy's concluding part is "Cities of the Plain." The book has some shortcomings, but it's still one amazing piece of work. YOU try writing something this good.
In this book, John Grady Cole--the genius horsetrainer of "All the Pretty Horses"--and Billy Parham--the kindhearted nomad of "The Crossing"--come together as ranch hands on a New Mexico estancia. Here, you can see why this actually is a trilogy. Both characters are older than they were in the previous books--Billy much older--but both are kindred spirits whose stories connect with and affect each another.
"Cities of the Plain" tends more heavily toward the lengthy philosophical monologues that appear only occasionally in the trilogy's earlier volumes, and the whole story at moments goes a little bit long if you've just read the two previous books right before.
However, the writing is gorgeous, and haunting. In one passage, a dead calf's "ribcage lay with curved tines upturned on the gravel plain like some carnivorous plant brooding in the barren dawn." Yeah. Yeah!
And the ending--the ending is amazing. It might not be quite what you expect or ask for, but it is thrilling in its perfectness, in its completess, in how true it feels. It gave me chills of ecstasy. It left me holding the book like a priceless religious relic, re-reading its back cover, flipping back through it to parts I had marked, reluctant and unwilling to let go of these characters or their world.
Reading these collected books is like having a vision: I feel as if I should tell the world about it, but at the same time it seems so sacred and personal that maybe I should just keep it to myself and try to figure out why it came to me, into my life, into my head. These are books that deserve readers. Pick this volume up, and let it seep into your skin, let it open you to other worlds and people and ideas, and let it change you. Let it open your eyes to the world, and to the West, and to the goodness and the hope and the sadness that haunts the lives of all of us.
This is a saga made up of all those ineffable things that most of us just can't put into words. But here, somehow, Cormac McCarthy has managed to do just that. Here is the intangible, but tangible. Here is the unnameable, but named. Here are the thoughts you could never express, expressed. Here is a book worth reading, a book that will change you--you, and the way you see the world.
The best novels with a sense of place since Faulkner. August 3, 2000 Duross Fitzpatrick (Macon, GA USA) 105 out of 116 found this review helpful
These three novels should establish Cormac McCarthy as a worthy inheritor of the mantle worn by William Faulkner. The first, All The Pretty Horses is probably the best because it introduces John Grady Cole, who should join the ranks of legendary fictional heroes. His story is concluded in Cities of the Plain the last of the trilogy which contains an account of a knife fight that is almost unbearable in it intensity. The second novel,The Crossing is in my opinion, the weakest of the three,although the first 100 or so pages which describe the relationship between a boy and a wolf he has trapped is as good as anything in the trilogy. McCarthys description of ranch life on the New Mexico-Mexico border in the 1940s and early '50s is so pure that one can almost feel the icy wind as it cuts through the characters as they ride south to meet their fate in old Mexico. This is a great book and Cormac McCarthy is among the greatest novelists of our time.
It moves me every time June 27, 2000 Seth M. Packham (North Carolina) 65 out of 71 found this review helpful
I've read the entire Border Trilogy at least three times now, and I've read each of McCarthy's other novels at least once. Now, I'm dying to see what he writes next. The language is lyrical and poetic, sometimes short and choppy in the language of McCarthy's young cowboy protagonists, sometimes long and surreal in his descriptions of horses, landscape, and dreams. The language finally emerges as a living character of the novel, equally shaping the narrative and its power, separate from the plot line and journey motif. His storytelling ability is unmatched as he weaves storytelling characters into the bildungsromanesque journeys of John Grady Cole and Billy Parham. These interlocutors relate intricate stories that allow us to witness tales being both told and witnessed, creating a double effect on us through our connectivity to the characters. McCarthy uses his own wonderful narrative to reflect on the power of the narrative event and the act of storytelling. He truly raises the standard for today's writers, for not only does his language transcend the pitter-patter of most so-called literature, his ability to weave marvelous stories and reflect on his role as narrator makes him a writer worth reckoning with. In fact, I just completed a thesis based on this set of three novels for my MA in English at BYU. Read them in order, or read them separately, "All the Pretty Horses" will draw you in with its sometimes intense sometimes comical language and bloody violence. "The Crossin" will captivate you in its complexity and depth, as well as its realistic, terribly moving portrayal of a young man alone and lonely. Finally, "Cities of the Plain" will make you laugh and cry as the protagonists are brought together in a domestic setting and move toward their destinies, each preset by McCarthy himself. Read everything he has written. You will ache for more.
Over the Border May 28, 2001 Peter Grudin (Stamford, VT USA) 25 out of 26 found this review helpful
The books of Cormac McCarthy's Border Trilogy have been well received individually, and yet none of them has been received well-enough... What we have in these three books are three works of genius, vivid, thrilling, heartbreaking, individual stories of astounding specificity and realism which nevertheless pull larger stories, the story of the American West, the story of unspoiled wilderness, the story of our own national romanticism, along with them.The protagonists are boys in love with the land, in love with an ascetic live on it, who are forced, through the series of stories, to watch that land change and whither and grow tame and bland. The boys quarrel, fall in love. They are prey to violence, to loss. They are, for the most part, taciturn, and yet McCarthy's extraordinary skill puts meaning into what they do not say, their silences, their gestures. I have read the first two books twice. I have not re-read the third yet because I have not recovered emotionally. But the reading of that third started a chemical reaction that made it seem as though I had read the first two a third time, and brought a new, fuller meaning to all my literary experiences with the trilogy. A great stylist, a superb story-teller, a poet, and a profound psychologist, McCarthy is, in my opinion, the best writer in America. I see him viewed and admired, in fifty years, as Hemingway, Faulkner, and Fitzgerald are now. I would like to be one person who gets a jump on this eventuality. PG
Hemingway gets even more depressed... June 18, 2002 16 out of 17 found this review helpful
McCarthy is a masterful author. There is no other author who can paint a stark but beautiful vision of what it means to be human and to exist in history. I was first introduced to him in highschool and have since then read every single one of his books. My favorite would be "All the Pretty Horses" followed by "Cities of the Plain". "Blood Meridian" is not in the Trilogy but follows in third. I never saw the movie, "All the Pretty Horses", because I am an utmost purist. There can be no improvements upon this set of books as a whole and certainly Hollywood should not be the first to try. They are too magnificently crafted for even pictures to begin to create the same world as McCarthy does in his own novels. He is a thoughtful and bleak writer and if "The Old Man in the Sea" got to you, then certainly the Trilogy will.
Showing reviews 1-5 of 52
|
|
|
CERTAIN CONTENT THAT APPEARS ON THIS SITE COMES FROM AMAZON SERVICES LLC. THIS CONTENT IS PROVIDED ‘AS IS’ AND IS SUBJECT TO CHANGE OR REMOVAL AT ANY TIME. Horse Books For Kids in Association with Amazon.com | |