| All the Pretty Horses (The Border Trilogy, Book 1) |  | Author: Cormac McCarthy Publisher: Vintage Category: Book
List Price: $15.00 Buy Used: $0.18 as of 9/5/2010 20:36 CDT details You Save: $14.82 (99%)
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Seller: Yankee_Clipper_Books_ Rating: 333 reviews Sales Rank: 2,787
Media: Paperback Edition: Trade Paperback Edition Pages: 301 Number Of Items: 1 Shipping Weight (lbs): 0.6 Dimensions (in): 8.1 x 5.1 x 0.7
ISBN: 0679744398 Dewey Decimal Number: 813.54 EAN: 9780679744399 ASIN: 0679744398
Publication Date: June 29, 1993 Availability: Usually ships in 1-2 business days
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Amazon.com Review Part bildungsroman, part horse opera, part meditation on courage and loyalty, this beautifully crafted novel won the National Book Award in 1992. The plot is simple enough. John Grady Cole, a 16-year-old dispossessed Texan, crosses the Rio Grande into Mexico in 1949, accompanied by his pal Lacey Rawlins. The two precocious horsemen pick up a sidekick--a laughable but deadly marksman named Jimmy Blevins--encounter various adventures on their way south and finally arrive at a paradisiacal hacienda where Cole falls into an ill-fated romance. Readers familiar with McCarthy's Faulknerian prose will find the writing more restrained than in Suttree and Blood Meridian. Newcomers will be mesmerized by the tragic tale of John Grady Cole's coming of age.
Product Description The national bestseller and the first volume in Cormac McCarthy's Border Trilogy, All the Pretty Horses is the tale of John Grady Cole, who at sixteen finds himself at the end of a long line of Texas ranchers, cut off from the only life he has ever imagined for himself. With two companions, he sets off for Mexico on a sometimes idyllic, sometimes comic journey to a place where dreams are paid for in blood. Winner of the National Book Award for Fiction.
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Showing reviews 1-5 of 333
Ascent into Hell November 20, 2005 Gary Griffiths (Los Altos Hills, CA United States) 59 out of 65 found this review helpful
You read the first sentence of a Cormac McCarthy novel and you know that this is not Grisham or Connolly or Child or Crichton or King, certainly not Patterson, or anyone else writing fiction today. And before the first page is turned he has launched into one of his frenetic poetic riffs that lurches and rambles and stops and starts and doesn't care about punctuation and you can almost hear your high school English teacher scolding about grammar and run-on sentences but you know that she could never even hope to string words together like this even if she dared. And then you realize that maybe you've actually never really understood the English language at all because no one before has ever ripped it and bent it and twisted it as beautifully as McCarthy does while making it all look so easy.
So were it not for McCarthy's ferocious prose, "All the Pretty Horses" may have been just another coming of age story. But in McCarthy's special corner of hell, along with the obligatory introduction to "young love", passage to adulthood may include exile in a foreign country, being hunted on horseback across a barren desert, variously stabbed, shot, tortured, or imprisoned. John Grady Cole is a sixteen year-old son of a Texas rancher who, up until his grandfather's death, worked the ranch and developed an uncommon kinship with horses. With his grandfather gone, his father dying, and his mother flitting around the cultural scene in post-WWII San Antonio, John Grady sets out on horseback for Mexico with buddy Lacey Rawlings. What follows is an odyssey of restless youth across a rugged country, a bleak and sometimes bloody journey that is not without the humor and easy banter of young teenagers on their own; the "road trip" that turns nightmarish and accelerates the process of growing up into hyper drive.
John Grady is an endearing character; there are no Holden Caulfields in the Texas borderlands. A stoic young cowboy, he has had the youthful innocence to which he is entitled ripped out too early, replaced by a work-hardened cynicism and homespun wisdom of the Texas plains. The reader cares for John Grady in the way of the classic Greek heroes, watching helplessly as the protagonist stone-by-stone lays the foundation of his own downfall. This is Cormac McCarthy, and therefore not a fairy tale; the reader would be naïve to expect an ending with a smiling John Grady riding into the sunset with his girl's arms around his denim shirt. But since it is Cormac McCarthy, you can expect unparalleled prose that delivers its message with the power and subtlety of a cattle prod. An American classic - required reading.
Wonderful January 11, 2000 19 out of 20 found this review helpful
I found this book on an empty, dusty bookself at the back of my high school library, it's cover and first few pages torn away and the corners burned round. I thought that either someone was very bored and destructive or frustrated by the difficulty of the first few chapters (this only after flipping it open to find out it's title, the side being illedgable). After reading it I realize it could even more easily have come from the frustration of wanting more! This book kept me reading from cover to cover and still awake enough to wish it were double it's size. While reading it I had no clue as to it's popularity or award, but I knew it deserved one. John Grady Cole is an amazingly believable hero. I found myself trusting him and not the author to carry the book, knowing that he would come through no matter what. Even as the dialogue turned increasingly to spanish I felt that there wasn't a need to understand every word, I knew Grady enough to know what he would say. After getting a friend to translate a bit I found that this was true. I can only hope the movie is even half as good! I'm going to buy my school a copy to replace the destroyed version that I found.
Grand Tale, Wonderfully Rendered January 17, 2001 Bruce Kendall (Southern Pines, NC) 33 out of 38 found this review helpful
I didn't realize until I looked at the Amazon site that Frank Muller has narrated so many books. They have 84 Muller listings here, primarily for Stephen King, John Grisham and other best-selling authors. The only other Muller audio-book I was familiar with was his rendition of King's , which was excellent. Muller surpasses that here, however, as he renders McCarthy's prose faultlessly. He captures the accents, whether they be Texan or Mexican, faithfully and unaffectadly. This is a great acting-job, natural, unassuming, perfectly in-flow with the narrative. His shift from character to character is seemless. Muller is the latter-day role model for anyone wishing to narrate books. There is ample reason why he is so prolific. The story itself lends itself to being told orally. It is a myth of the west, but I mean that in the greatest sense of the word. Mythic here does not mean unrealistic. Far from it. It is mythic because it represents higher truths, but tells a human story in as truthful a manner as possible. I hate to use a hackneyed term like "describing the human condition," but it does. There are other high-school terms I could use, such as "coming-of-age story," "piquaresque novel," "story of initiation," etc. , but they would all short-change McCarthy's accomplishment here. McCarthy represents what is increasiningly scarce in modern American letters. He is a truly original novelist. Yes, we can trace his roots, but he has acquired his unique voice by dint of much effort, trial, delving, maybe even bloodshed. He is one of those authors that after reading one of his works, we are left to ask "How did he come by that knowledge?" He doesn't just research a work. He must have, at least in part, lived it. For instance, in this work, I was left wondering how he could have aquired such an encyclopedic knowledge of all things having to do with horses. I worked on the backstretch of racetracks for five years and didn't know my nomenclature with anything like the authority he does. It would appear that Muller, like McCarthy has thoroughly done his homework. Never once in the course of this unabridged audio does he stumble over a word, much less a passage. He speaks Spanish almost as fluently as English, which is important for this work. In fact I would suggest that if you do not comprehend Spanish readily, you refer to the text-form of the book and maybe a Spanish dictionary before listening to this tape, though you can still appreciate most of it. My estimation of McCarthy, which was already high, as well as my opinion of Muller, were greatly enhanced by the experience of listening to these tapes. (This review refers to the unabridged audio-tape version of . I prefer printed versions of good books, but see nothing wrong with listening to books when we dont have our hands free. Cars, obviously. I know what you were thinking!)
John Grady Cole's Odyssey December 26, 2000 Melvin Pena 25 out of 29 found this review helpful
Many people compare, fairly or no, Cormac McCarthy's "All the Pretty Horses" to William Faulkner's literary work. What is neglected is the strain of Flannery O'Connor that runs throughout the novel as well. At any rate, "Horses" more than stands on its own as a startling achievement. It's prose is more accessible than Faulkner, and its themes less esoteric than O'Connor. "Horses" is an immaculate novel, dealing with the extreme facets of the everyday and the ways in which people become who they are.John Grady Cole, a 16 year old boy, dispossessed of his family lands, wanders off into Mexico, accompanied by Lacey Rawlins, a close friend. Astride their trusted horses, Redbo and Junior, the two young men ride, searching for occupation and meaning. It may be somewhat idealistic that two ranch-hands like Cole and Rawlins should ride about, discussing throughout the novel things like the profundities of religion, life, and human relationships on so advanced a level, but McCarthy's grasp of vernacular - English and Spanish - makes the whole completely palatable. McCarthy's writing technique leaves nothing to be desired - his evocative use of landscape draws the Texas-Mexico scenery off the page and into immediate experience. Impressionistic and yet utterly tangible, the cold of the evenings and the heat of the days is described as it is felt. McCarthy's characterization is just as remarkable. Minor characters like the various groups of laborers met along the way, Perez the mysteriously powerful political exile/prisoner, or children bathing in a ditch - all bring realism and depth to Cole's struggle into selfhood. The most wonderful thing about "Horses" is that McCarthy doesn't beat you over the head with his major themes - they exist as constant undercurrents - humanity's relationship to tradition, the divine, to each other - these are the elements that course and pulse through the novel. Epic knife-fights in a Kafkaesque prison, emotional wounds that never heal, a covert love affair with Alejandra (the daughter of a powerful Mexican landowner), philosophical-historical conversations with her aunt Alfonsa, a problematic relationship with 'Jimmy Blevins,' a possessive young boy - all of these moments in the novel are saturated with fundamental thematic significance. This is not a book to simply read. This book must be lived with, carried, held, gazed upon and treasured. Give it full reign of your mind and let the unknowable horses of your imagination take you into yourself.
I was there December 15, 1999 John Micheletti 14 out of 15 found this review helpful
i was able to identify with this mainly because i had spent 4 years and 2 weeks in the jail that was described in the book "all the pretty horses". I will never forget reading this book about 2:00AM one morning a few years ago and was so amazed and shocked that they had carried this cowboy to a prison on Castelar Street in Saltillo. I must say that this author had to have been inside this prison to have described it so well. even more amazing was that the cowboy was thrown in a corner cell on the sixth floor of this place and I was thrown in a corner cell on the sixth floor, the first night that i was there and preceeded to spend the next few years in that same cell. The kitchen scene was well described and came vividly to mind when i read it and beleive me I saw many just as brutal scenes on my sojourn in Castelar 203. i wrote the publisher asking about being able to get ahold of Mccarthey but got no response. I understand that a movie is being filmed currently in New Mexico. Anyway, It was the best and worse four years of my life. The stories i have to tell! I was there between 1973 and 1977 for having violated their laws concerning antiquities. I am fifty years old now and there is not a day goes buy without a thought back to the biggest and greatest challenge a man can go through. Is this a book reveiw - only that i loved the book and have read all the rest of them. If anyone has any info over how he was able to describe the inside of this prison with such detail - i would like to hear it. thanks, a guy who lived it.
Showing reviews 1-5 of 333
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